It’s that time of year again. After another simply amazing trip to northern Norway I am pleased to be able to share with you my latest Aurora video. It was shot with a Sony A7s and a Sony A6300. The lenses used were a Sigma 20mm f1.4 art lens. An older Sigma 20mm f1.8, a samyang 14mm f2.8 and a Sony 16mm f2.8 pancake lens. A Metabones Speedbooster Ultra was used on the A6300. For the slider shots I used a home built track (made so it fits my suitcase perfectly) and a Cinetics Cinemoco controller. Hope you enjoy it.
Filmed and edited in 2 day as part of the PXW-FS5 launch event in Dubai this short film shows off some of the features of the FS5. Many shots make use of the Supers Slow Motion mode, shooting at 240fps. Others take advantage of the cameras lightweight where we mounted the camera on a DJI Romin M gimbal. The time-lapse shots were done using S&Q motion shooting at 1fps, often with a 1 second shutter. I used a mix of Cinegamma 3 and S-Log2 for the shoot depending on the required dynamic range. Lenses used include Zeiss Loxia 35mm and 50mm. A sigma 18-250mm (canon mount), the Sony 18-105mm and a Sigma 18-35mm Art lens on a cheap Fotga E-Mount to Canon tilt adapter. I will follow this up with a behind the scenes video in a week or so.
Great news folks. Sony have just released parts 4 and 5 of my series of training videos for the PXW-FS7. You will find the videos here on the Sony Youtube page: https://www.youtube.com/playlist?list=PLL06nPE7_lzNP6coYTPft-ZVfUu47PnhW
Part 6 will cover S-log in Cine Ei Mode.
I’ve done a whole series of training films for Sony on the PXW-FS7. This is the first in the series and covers the basic setup of the camera. Later videos include Custom Mode and Gamma Curves, CineEI, S&Q and workflow. These should all be published over the coming weeks.
Storm chasing season is on the way and I will be off to the USA to shoot landscapes, storms and maybe tornadoes in May. If you fancy a bit of an adventure and want to shoot stuff like this why not join me? See this link for more info. In the mean time why not take a look at this extended and re-graded version of the Supercell storm video I shot last May. It’s on YouTube in 4K if you select “2160” as the image size. Just wish YouTube wouldn’t compress stuff so much.