Due to the unexpected redundancy of one of my guests I am now looking to sell on a couple of places on my Northern Lights expedition in January on his behalf.
The trip starts and finishes in Alta, Norway. Food is included for most of the trip. We spend 4 days up on the Finnmarksvidda where we normally get amazing Northern Lights viewing opportunities. I can also help guide anyone that wants to learn how to photograph or video the Aurora.
This is a real adventure and a lot of fun. The only way up to the cabins by snow scooter, crossing frozen lakes along the way. We eat a campfire lunch in a Sami style tent, we go ice fishing, exploring by snow scooter and enjoy traditional sauna nights.
I few years ago I was privileged to have Jean Mouettee and Thierry Legault join me on one of my Northern Lights tours. They were along to shoot the Aurora on an FS100 (it might have been an FS700) in real time. Sadly we didn’t have the best of Auroras on that particular trip. Theirry is famous for his amazing images of the Sun with the International Space Station passing in front of it.
To be able to “see” the Aurora in 3D they needed to place the camera rigs over 6km apart. I did try to take some 3D time-lapse of the Aurora a few years back with cameras 3Km apart, but that was timelapse and I was thwarted by low cloud. Jean and Thierry have gone one better and filmed the Aurora not only in 3D but also in real time. That’s no mean feat!
I’d love to see these projected in a planetarium or other dome venue in 3D. It would be quite an experience.
Jean was also in the US for the total Eclipse in August. He shot the eclipse using an FS5 recording 12 bit raw on a Atomos Shogun. He’s put together a short film of his experience and it really captures the excitement of the event as well as some really spectacular images of the moon moving across the face of the sun. I really shows what a versatile camera the FS5 is.
After a test run starting and finishing in Alta last year I have decided to run the trips from Alta again next year. The hotel is nicer and the itinerary more relaxed. Starting and finishing at Alta gives us more time at the cabins.
2017/2018 Northern Lights Expeditions to Norway, travelling by road and snow scooter, staying in mountain cabins. Including food for 4 days, ice fishing, snow scooter use and optional photo/video tuition. You must book your own flights to Alta, Norway.
2018 Tour 1: Arctic Dawn. On this tour we will see the very first sunrise of the year. The moon will be absent during the night, so best suited for shooting and viewing faint Aurora. Arrive Friday 12th January 2018, depart Thursday 18th January 2018. £1,350 per person. Max 8 people. (cost of flights NOT included). You must arrange your own transport to and from Alta, Norway.
2018 Tour 2: Moonrise Tour. On this tour we will have a rising moon (after new moon) The moon will start at 18% illumination and increase to 53% illumination over the course of the tour. This will provide interesting possibilities for moonlit landscapes, but if the Aurora is very, very faint it will be harder to see. The days will be longer during this tour than the first tour. Arrive Thursday 18th of January 2018, Depart Wednesday 24th of January 2018. £1350 per person max 8 guests.
It’s that time of year again. After another simply amazing trip to northern Norway I am pleased to be able to share with you my latest Aurora video. It was shot with a Sony A7s and a Sony A6300. The lenses used were a Sigma 20mm f1.4 art lens. An older Sigma 20mm f1.8, a samyang 14mm f2.8 and a Sony 16mm f2.8 pancake lens. A Metabones Speedbooster Ultra was used on the A6300. For the slider shots I used a home built track (made so it fits my suitcase perfectly) and a Cinetics Cinemoco controller. Hope you enjoy it.
I produced 3 video blogs during my trip to Norway to shoot the northern lights. These blogs are now on youtube for you to watch. In the first video I take a look at some of the equipment that I took to Norway for the trip. I also look at how I like to lay everything out before I pack it and give some insight into some of the accessories that I like to take.
The second video looks back at the first week of the trip. You will see examples of the weather we had to deal with as well as some information on how some of the time lapse sequences of the aurora were shot.
The third video is about shooting a sunrise with 3 different cameras. The Sony a6300, FDR-AX3000 Action Cam and the PXW-FS5.
Packing for the shoot.
At the bottom of the page you’ll find a quick cut of a small selection of some of the Aurora footage shot on this trip.
Today I leave for my annual Northern Lights expeditions. So, I am off to the very north of Norway to shoot in the cold, long nights of the arctic winter. Currently sunrise is at 11am and sunset at about 12:30. You get golden hour all day and then a very long night (fully dark from about 3:30pm). If the weather gods are kind we will get clear skies and lots of opportunities to photograph and video the Northern Lights.
Over the next 3 weeks I will be releasing a number of video blogs about this adventure. They won’t be every day as I won’t always have internet access and the picture quality of the blogs may not be the best. But what I hope to cover are some of the practical aspects of a project like this. The first blog is about the equipment I’m taking, why I’ve chosen it and how I like to check what I’m packing.
There will be videos on shooting time-lapse, tips for shooting in the cold and more about the gear I’m using.
I’m up, 200 miles North of the Arctic Circle shooting the Northern Lights with a mixture of DSLR’s and one of my PMW-F3’s. The F3’s performance has really taken me by surprise as it’s possible to capture even a very faint Aurora just using the 8 frame slow shutter. Hopefully we’ll get a nice clear night and a decent Aurora and then I can turn off the slow shutter altogether. Either way, this is the first time I have been able to shoot the Aurora with out needing to resort to time-lapse.
The below clip is Timelapse as it does show the motion of the Aurora better. Shot with my F3 using the 8 frame SLS and 18db gain.
The last couple of days provided some really spectacular skies with amazing vapor trails and fluffy clouds. So I grabbed a selection of cameras and shot a bunch of timelapse which you can see cobbled together in this clip. I used a Sony PMW-350 and a Canon 350D and 550D. Amazing how well they match after a quick grade. I also included an previously un-used Aurora shot from Iceland at the end. The name of the clip comes from the fact that clouds are made of water vapor and ice crystals.
Well I have just returned from Iceland where I held a couple of 3D stereoscopic master classes and a workshop on video for the internet. They went well and we all had fun despite almost a foot of snow fall the morning of the classes. On the last day of my trip I decided to try and get some more Northern Lights footage. As I am often asked how I do this I put together the clip below which explains what settings I use for the Aurora and also gives a brief description of S&Q on an XDCAM EX. Basically what I do is use the EX Slow Shutter at 32 or 64 frames to increase the sensitivity of the camera. For a dim Northern Lights display I use 64 frames but for a bright display I drop down to 32 frames. The slow shutter acts like a long exposure on a stills camera. I then combine this with interval record shooting at 1 frame every second. I did also have a Canon DSLR with me and tried to shoot the Aurora with that. I found I needed a 10 second exposure at 800 asa to get a similar result to that achieved with the EX. The 10 second exposure means that it would take longer to get a decent length video sequence and most of the motion of the Aurora would be lost. Some of the exposure difference was I admit to the slower F4 lens on the Canon compared to the Sony EX’s F1.8, so perhaps with a faster lens you could bring the exposure down to around 5 seconds and this is something I hope to try when I go Aurora chasing next winter.
If you watch the video make sure you stay to the end to check out my attempt to record a piece to camera in 60 mph blowing snow! Don’t know why I even thought it would work. What I will say is that my new Vinten 5AS did a great job of keeping the camera steady in some pretty extreme conditions.