After having to skip a year my Northern Lights tours are back on again starting January 2022. These trips are made for those that appreciate the beauty of nature. The arctic is a spectacular place in so many ways. Especially in winter when the low arctic sun skims along the horizon providing golden hour light all day.
During the long nights when the sky is clear the Northern Lights come out to play. The cold air provides very clear viewing and most guests are blown away by the numbers of stars visible. It’s a photographers paradise.
For more information take a look at the tour page. If you are interested, send me a message.
Here’s a compilation of footage from this years winter trip to Norway. This was all shot with the PXW-FX9. Mostly with sony lenses and autofocus. The AF was great for following the dog sledding. The camera performed really well and did a great job of capturing what was a very faint Aurora display in between cloud banks.
The daytime footage was shot using S-Log3 in CineEI. I didn’t expose any brighter than base, so used 800EI or 4000EI. I used the viewfinder display gamma assist rather than any LUT’s as I know I can use gamma assist no matter what frame rate I shoot.
The Aurora was very faint, barely visible to the naked eye, so I had to shoot using a 32 frame slow shutter (the equivalent of about 1.3 seconds at 24fps). I then used interval record with a 2 second interval to create the timelapse Aurora sequences. As there were no dynamic range concerns I chose to shoot using the default S-Cinetone settings in custom mode so I could see exactly what I was getting. I was amazed at how many stars the camera picked up with such a short exposure, a sure sign of how sensitive the camera is. For the Aurora I used a Sigma 20mm f1.4 lens with Metabones speed booster and 4K s35 scan. I felt that the extra stop of light gained from the use of the speedbooster was better than the slightly lower noise that would have been present if I had used the 6K FF scan. I did also try S&Q at 1 frame per second with the shutter off to see how this compared to the slow shutter. The S&Q was much noisier, the cameras built in NR seems to work particularly well with the slow shutter function, so if you need a long exposure on the FX9 I recommend slow shutter and interval record over S&Q at 1 frame per second.
For the sunset shots I made use of the variable ND filter, set to auto to control the exposure. I used the cameras “backlight” auto exposure setting to obtain a bright exposure despite the strong sunlight. These shots were shot using S-Log3 in CineEI and it’s nice that the auto exposure functions work very well in this mode. The main lens used was a Sony 24-240mm f3.5-f6.3 zoom. Not the very greatest of lenses, but for such a zoom range the image quality is pretty decent. I used this lens because the temperature was often below -15c dipping to -34c at times. In addition there was a lot of blowing snow. I don’t like doing a lot of lens swapping in these conditions and the 24-240mm allowed me to take just one lens on most of the trips out and about on the snow scooters or dog sleds.
Another big help was the Core SWX V-Mount adapter. I used both the Core Neo 98Wh V-Mount batteries and some of my Pag Paglink 150Wh V-Mounts. They all worked very well in the harsh conditions and a great feature of the Core Neo’s is the run time indicator that gives an accurate time remaining readout based on the batteries capacity and the cameras power draw. This is very handy when using a V-Mount adapter as all the adapters currently on the market convert the battery voltage up to 19.5 volts to feed the FX9. As a result you don’t get any form of capacity or run time indication in the viewfinder. The Core V-Mount adapter also incorporates an LED indicator that turns red as the battery voltage gets low and then flashes red when it’s about to run out – a very nice touch. I did use a loose fitting insulated cover that I made myself. It’s not heated but does have a fleece lining so helps keep the heat generated by the camera when it’s operating in the camera. Where this really helps is to keep the lens warmer than the ambient air and this helps stop the lens from frosting over when shooting the aurora at night (see the picture at the top of the article where you can see just how frosty things can get at night).
As usual on these trips we had one guest break a tripod. A lot of materials that are normally solid and robust become very brittle at temperatures below -15c. I was using a Miller CX18 tripod head with Miller Solo legs and once again this proved to be a great combination. The fluid damping of the head remain almost completely constant all the way down to -34c. A lot of other heads become unusable at these sorts of temperatures.
For file backup and file management I use the Nexto DI NPS-10. This is a relatively new device from Nexto DI. Designed to offer a robust backup solution at a much lower price than similar previous Nexto DI products it too worked very well even in these harsh conditions. I have a 1TB SSD in mine and I can backup a 128GB XQD card in around 5 minutes. I can’t recommend the Nexto DI products enough for those that need to have a simple, reliable backup on location.
The workshop shots are part of a sequence of shots for another video I am working on. For these I used Sony 85mm f1.8 FE and 24mm f2 FE lenses. The sequence is mostly available light but I did have a Light & Motion Stella 5K on hand to add a little extra light here and there.
Post production was done using DaVinci Resolve and ACES.
In February 2019 I am running 2 Aurora hunting trips to the north of Norway. One of these has just sold out so that means that places are now only available on the first tour.
These are very different to the normal Aurora hunting trips to a big city. We start in the town of Alta in Northern Norway, staying in a nice hotel close to the amazing looking Northern Lights Cathedral. From there we travel inland to the capital town of the Sami people – Karasjok.
As we get near to Karasjok we exchange our mini-bus for snow scooters and sleighs and journey way off the beaten track, up above the tree line and across frozen lakes to a small lodge used by cross country skiers and dog sled teams. This group of cabins becomes our base to explore the Finnmarksvidda for 4 days as well as being a near perfect location for watching, photographing and filming the Northern Lights.
It is stunningly beautiful around the cabins, it’s also amazingly peaceful and quiet. We are looked after by a couple of Sami people who cook meals for us, take us ice fishing and help us explore this spectacular and unspoilt winter wilderness.
If you want to know more please take a look at the main page for the tours: http://www.xdcam-user.com/northern-lights-expeditions-to-norway/
I’ve been running my Aurora adventure tours for 11 years and so far every trip has seen the Northern Lights. This year I had a couple of guests that had already travelled to Iceland and Finland in search of the Aurora, but had not seen it. So it was wonderful to see their faces when the Northern Lights came out to play for us most nights.
For the last couple of years I have been basing the tours out of Alta in Northern Norway, travelling from Alta to some cabins far off the beaten track at very special place just outside of the very small town of Karasjok. We stay at the cabins for several reasons.
1: It’s very different – only accessible by snow scooter.
2: It’s truly beautiful – a chance to get back to a slower way of life for a few days.
3: Clear skies – this location seems to deliver clear skies when many other areas are cloud covered.
4: Adventure – where else can you stand on the top of a hill and not see anything else man made from horizon to horizon.
So why not come and join me for an adventure you’ll remember forever? I’ll help you take your own photos or video of the Aurora if that’s what you want to do. Or just come and enjoy a bit of Sami culture as our host Oskar cooks traditional meals of reindeer, elk and salmon before we enjoy a traditional Sauna. During the day we go ice fishing, head out up on to the arctic plateaux by snow scooter or go dog sledding through the snow covered trees of the forest.
I’ve worked hard this winter to get the very best deals on the hotel and cabins that we stay at. As a result the cost of the tours is now lower than the past couple of years and I am even able to offer a really amazing early bird deal for those that book and pay 6 months before the tour. Full details here.
Due to the unexpected redundancy of one of my guests I am now looking to sell on a couple of places on my Northern Lights expedition in January on his behalf.
The trip starts and finishes in Alta, Norway. Food is included for most of the trip. We spend 4 days up on the Finnmarksvidda where we normally get amazing Northern Lights viewing opportunities. I can also help guide anyone that wants to learn how to photograph or video the Aurora.
This is a real adventure and a lot of fun. The only way up to the cabins by snow scooter, crossing frozen lakes along the way. We eat a campfire lunch in a Sami style tent, we go ice fishing, exploring by snow scooter and enjoy traditional sauna nights.
I few years ago I was privileged to have Jean Mouettee and Thierry Legault join me on one of my Northern Lights tours. They were along to shoot the Aurora on an FS100 (it might have been an FS700) in real time. Sadly we didn’t have the best of Auroras on that particular trip. Theirry is famous for his amazing images of the Sun with the International Space Station passing in front of it.
To be able to “see” the Aurora in 3D they needed to place the camera rigs over 6km apart. I did try to take some 3D time-lapse of the Aurora a few years back with cameras 3Km apart, but that was timelapse and I was thwarted by low cloud. Jean and Thierry have gone one better and filmed the Aurora not only in 3D but also in real time. That’s no mean feat!
I’d love to see these projected in a planetarium or other dome venue in 3D. It would be quite an experience.
Jean was also in the US for the total Eclipse in August. He shot the eclipse using an FS5 recording 12 bit raw on a Atomos Shogun. He’s put together a short film of his experience and it really captures the excitement of the event as well as some really spectacular images of the moon moving across the face of the sun. I really shows what a versatile camera the FS5 is.
After a test run starting and finishing in Alta last year I have decided to run the trips from Alta again next year. The hotel is nicer and the itinerary more relaxed. Starting and finishing at Alta gives us more time at the cabins.
2017/2018 Northern Lights Expeditions to Norway, travelling by road and snow scooter, staying in mountain cabins. Including food for 4 days, ice fishing, snow scooter use and optional photo/video tuition. You must book your own flights to Alta, Norway.
2018 Tour 1: Arctic Dawn. On this tour we will see the very first sunrise of the year. The moon will be absent during the night, so best suited for shooting and viewing faint Aurora. Arrive Friday 12th January 2018, depart Thursday 18th January 2018. £1,350 per person. Max 8 people. (cost of flights NOT included). You must arrange your own transport to and from Alta, Norway.
2018 Tour 2: Moonrise Tour. On this tour we will have a rising moon (after new moon) The moon will start at 18% illumination and increase to 53% illumination over the course of the tour. This will provide interesting possibilities for moonlit landscapes, but if the Aurora is very, very faint it will be harder to see. The days will be longer during this tour than the first tour. Arrive Thursday 18th of January 2018, Depart Wednesday 24th of January 2018. £1350 per person max 8 guests.
It’s that time of year again. After another simply amazing trip to northern Norway I am pleased to be able to share with you my latest Aurora video. It was shot with a Sony A7s and a Sony A6300. The lenses used were a Sigma 20mm f1.4 art lens. An older Sigma 20mm f1.8, a samyang 14mm f2.8 and a Sony 16mm f2.8 pancake lens. A Metabones Speedbooster Ultra was used on the A6300. For the slider shots I used a home built track (made so it fits my suitcase perfectly) and a Cinetics Cinemoco controller. Hope you enjoy it.
I produced 3 video blogs during my trip to Norway to shoot the northern lights. These blogs are now on youtube for you to watch. In the first video I take a look at some of the equipment that I took to Norway for the trip. I also look at how I like to lay everything out before I pack it and give some insight into some of the accessories that I like to take.
The second video looks back at the first week of the trip. You will see examples of the weather we had to deal with as well as some information on how some of the time lapse sequences of the aurora were shot.
The third video is about shooting a sunrise with 3 different cameras. The Sony a6300, FDR-AX3000 Action Cam and the PXW-FS5.
Packing for the shoot.
At the bottom of the page you’ll find a quick cut of a small selection of some of the Aurora footage shot on this trip.
Today I leave for my annual Northern Lights expeditions. So, I am off to the very north of Norway to shoot in the cold, long nights of the arctic winter. Currently sunrise is at 11am and sunset at about 12:30. You get golden hour all day and then a very long night (fully dark from about 3:30pm). If the weather gods are kind we will get clear skies and lots of opportunities to photograph and video the Northern Lights.
Over the next 3 weeks I will be releasing a number of video blogs about this adventure. They won’t be every day as I won’t always have internet access and the picture quality of the blogs may not be the best. But what I hope to cover are some of the practical aspects of a project like this. The first blog is about the equipment I’m taking, why I’ve chosen it and how I like to check what I’m packing.
There will be videos on shooting time-lapse, tips for shooting in the cold and more about the gear I’m using.
Here’s the first video: Packing.
Camera setup, reviews, tutorials and information for pro camcorder users from Alister Chapman.