ProRes vs XDCAM for S-Log?
Posted: April 26th, 2012, 4:11 am
We recently shot a show using two F3s with S-log. One was recorded to a Samurai in ProRes HQ, the other to a NanoFlash in XDCAM format. I might be mistaken, but the XDCAM footage seemed to have better color than the ProRes. Doesn't really make sense to me, but we can't explain it any other way. (Although one camera used an EF zoom lens, the other a Nikkor prime.) Should there be any difference between the codecs in terms of color?
Thanks,
Harry
Thanks,
Harry