The Sony FX3 has won Time Magazine’s best inventions of 2023 – accessible film making award. The FX3 won the award because it was the main camera for the Hollywood blockbuster “The Creator”. The FX3 wasn’t a B camera, it was used to shoot the vast majority of the film (I believe there was also a small amount of FX9 footage).
And this wasn’t a Sony stunt. The director of this sci-Fi film Gareth Edwards chose the FX3 because he felt it was the best camera for the job. In various interviews Edwards has stated that one of the prime reasons for choosing the FX3 was its low light performance. The FX3 allowed him to shoot with real moonlight rather than bringing in complex and expensive lighting rigs. It allowed the DP Oren Soffer to move more freely with the actors as they could do more with the natural available light rather than artificial lights. This in turn led to them shooting longer takes which Edwards feels gives the film a more organic look.
For the film the FX3 was connected to an Atomos Ninja V and they recorded ProRes Raw.Of course – the film went through some extensive post production work and there is a lot that AI can now do to clean up an image or to rescale it. But, I think we are now at a stage where almost every cinema camera that is in the market today, from the FX30 to a Venice could be used to make a feature film and the audience is unlikely to be aware of whether you used a $3K camera or a $75K one. At the same time I do feel that there is a lot to be said for picking the right camera. A studio based film might be quicker and easier to shoot on a Venice. A location based film may benefit from a smaller and lighter package.
Whichever camera you choose, great story telling remains the main goal. Good lenses, lighting (or the use of the available light in a pleasing way) and composition are key elements in telling that story. Your skills as a film maker are more important than the camera you choose to use, but choosing the right camera can make the job easier. It’s a wonderful time to be a film maker.
Tag Archives: award
Travel Show shot with F3 wins outstanding Cinematography Emmy!
The Travel Channel show Anthony Bourdain: No Reservations – Haiti has won an Emmy for outstanding Cinematography. The award is shared by Zach Zamboni, Director of Photography and Todd Liebler,Director of Photography. According to my sources the show was shot using a Sony PMW-F3, so congratulations to them. If anyone finds a clip I’d love to see it. The F3 has to be one of my all time favourite cameras, I really enjoy shooting with it as it puts the creativity lost on small sensor cameras back into the hands of the operator.
Hurricane Rig Wins Black Diamond Best of Show Award at NAB
The Genus Hurricane 3D rig, which I designed has picked up a Black Diamond Best of Show Award at NAB. I’m really amazed and flattered by this. We were presented with the award today, it really made my day… off for a celebration drink, so more later.
My Product of the Year 2010.
Well we are now in to 2011 so it’s time to look back at 2010 and some of the products that became available. Last year my award went to the excellent Convergent Designs NanoFlash. As with last year there is no real meaning to the award, it’s just an excuse for me to highlight my favourite product from 2010.
So what was new in 2010? There were some significant announcements of new products like the Sony PMW-F3 and the un named NXCAM but these won’t be available until 2011. Sony did release the PMW-320, 1/2? shoulder mount camcorder to compliment the PMW-350. I was at first a little sceptical about this camera, but it does produce a good image and the price is attractive where you need to have the looks and ergonomics of a shoulder mount camera but don’t need high end 2/3? sensors and lenses. So the 320 gets good points for value and ergonomics, but it’s not a stand out product. Later in the year we saw the release of the PMW-500. This was the logical combination of a high end CCD camera with Sony’s solid state SxS recording system. The PMW-500 is a fantastic camcorder that will be excellent for news and documentary production. I’m sure it will do very well indeed and users will appreciate the light weight and low power consumption. However again for me it isn’t a stand out product, it’s very nice but you have to pay a significant premium for those CCD’s and 50Mb/s recording and really it is a completely logical extension of the Sony XDCAM product family.
Jumping out of the Sony camp there is Panasonics new AF100/AF101 with it’s APS-C sized sensor. Canon and their video enabled DSLR’s showed what could be achieved with a big sensor, however the DSLR’s were, first and foremost, high resolution stills cameras with 12 megapixel (or more) sensors. The video was an afterthought and suffered from various artefacts as a result, but they really had a huge impact on the whole industry, forcing the big guns of the video world to seriously re-think. Not to be left behind Panasonic and Sony had to jump on the big sensor band wagon. The first to market was the Sony NEX-VG10 which is basically a stills camera pretending to be a video camera. It’s not bad and can produce a good image but it’s not really a professional product. The next to market was the Panasonic AF100. This is a serious attempt at producing a low cost, big sensor video camera. The sensor is APS-C sized, so it’s not quite as big as would be found in a 35mm film camera, but the smaller sensor does allow for the use of a very wide range of DSLR lenses and the Depth of Field is pleasing when you use a fast lens. Sadly Panasonic chose to use AVCHD for the codec, so for best results you really want to record using an external high quality recorder. This camera would have been sooo much better if it used AVC-Intra. Despite the codec (and it’s looks) the AF100 was certainly a stand out product and gets added to my shortlist for my award.
On the camcorder front there was of course the Canon XF305. This is a very good camcorder, of that there is no doubt. I’m still a little skeptical of the sensor performance, they look a little noisy too me. However it has certainly raised the bar when it comes to 1/3? sensor performance. The incorporation of a 50 Mb/s 4:2:2 codec in to a compact camcorder is something that Sony EX users have been clamouring for ever since the launch of the EX1. In addition the extra zoom range from the 20x lens is nice to have. The Canon XF305 certainly stands out from the crowd with it’s excellent 50Mb/s codec so it’s definitely in my shortlist.
One product that I really like is the Black Magic HDLink 3D. This clever little box allows you to combine the output of any pair of HDSDi equipped cameras on a 3D rig and gives a huge range of outputs compatible with most off the shelf 3D consumer TV’s and PC monitors. This one product has made 3D monitoring so much cheaper and easier than ever before. What’s more it’s remarkably low cost at around $499 USD. So this too deserves to get shortlisted, but it’s overshadowed by another computer adapter that’s slowly getting quite a following:
The Matrox MXO2 range is a range of input and output adapters for Mac computers. These boxes, depending on the exact model give you HDSDI, HDMI and component inputs and outputs. They will work with a MacBook Pro Laptop connecting via the express card slot or with MacPro work stations. There’s hardware up and down scaling, a range of encoding accelerators and 3D monitoring tools. They have so many applications form providing HDSDI or HDMI monitoring for Avid or FCP to a way to record 10 bit HD on location via a laptop. They support XDCAM, RED, DVCPRO HD, PRORES and DNxHD workflows. An MXO2 could easily become the center point of many a production facility, OB truck or one man band.
For the flexibility, cost effectiveness and affordability the Matrox MXO2 gets my award for product of the year 2010. It has so many uses that it’s impossible to list them all. It’s one of those boxes that you will find useful for so many things and the best bit is that it’s highly affordable.