Good news, you can use the FX9’s viewfinder assembly on the FX6. Not just the loupe/magnifier, but the entire viewfinder including the LCD. It all fits straight on to the FX6 and is full functional. Overlays, menus and the touch screen are all good. The only small thing is the display is initially upside down, but that is easily resolved using the “rotate” switch that is at the bottom of the FX9’s LCD screen.
So – if you have an FX9 and an FX6 you can swap viewfinders between both cameras. We already know that if you simply add the loupe/magnifier from the FX9 to the FX6’s LCD that it fits, but tends to be a bit “droopy” because of the weak hinges on the FX6 LCD. You can buy the FX9 LCD as a spare part along with the loupe if you want, but it won’t be cheap!
The PDW-700 and F800?s are sold body only, so you have to choose which viewfinder you want. there are 3 choices. A cheap HDVF 200 mono CRT finder that is 480+ lines resolution, the mid range (top of the CRT range) HDVF-20A which is 500+ lines resolution and then there is the expensive colour HDVF-C35W.?I got the HDVF-20A. The viewfinder is a critical part of the package and I wanted a good viewfinder. For the past year my main camera has been my trusty EX3 which I love. This has a really good colour viewfinder with an excellent colour peaking function and image magnification. When I use my EX3 it is rare for me to not get my pictures pin sharp and spot on in focus. Plus I can frame my image taking into account both black and white contrast range and colour contrast. With the EX3 judging exposure is easy, you can see when your overexposing as you can see colours washing out. If I don’t want (or can’t) take a colour monitor on location then I really can light an interview or check colour balance without just using the EX3?s finder.?Now with the PDW-700 I am struggling. Going back to a mono CRT has been a bit of a shock, to be honest I am struggling with it. It’s not that there is anything wrong with the HDVF-20A but I have become used to working with a colour VF. I’m not sure I can live with the CRT VF for very long. I guess I am going to have to start saving my pennies as I think going back to a mono CRT is a retrograde step. I just wish the C35W was a little cheaper. Perhaps Sony could bring out a VF for the 700/F800 based on the rather good EX3 finder.?If I was making the purchase again I would opt for the more expensive C35W. I no longer see a colour VF as a luxury but more of an essential item. When you work with cameras day in – day out you want the tools that make your life as easy as possible and a good colour VF is one of them. On it’s own the C35W may seem expensive at £5.5k compared to the £3.5k of the 20A, but in terms of the total packing it’s another 10% to the cost but in retrospect I think it would have been worth it.
Camera setup, reviews, tutorials and information for pro camcorder users from Alister Chapman.