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Yowza. There’s an awful lot in these frames. Seems at least as flexible as Red, but with noise levels low enough to allow for noticeably more latitude and manipulation. I don’t want to get into hyperbole, but seems like an awful cool combination of the best parts of Red and Alexa.
Also, the night shot, the blues under the bridge are rendering in a way that the F3 could not hope for…deep, saturated blue that would render with a slight purple tinge and clip both red and blue very quickly, at least on the F3.