LUT’s or LOOK’s when exposing via a LUT on the PMW-F5 or PMW-F55 (and FS7).

460x150-Banner-Box LUT's or LOOK's when exposing via a LUT on the PMW-F5 or PMW-F55 (and FS7).

First of all. You can use either, LUT’s or Looks. But there is a quite marked difference in the way they behave, especially if you use EI gain.

At the native ISO there is little to choose between them. But just to confirm my earlier suspicions about the way the 3D LOOK’s behave I ran a quick test.

I found that when you lower the EI gain, below native, the output level of the LOOK lowers, so that depending on the EI, the clipping, peak level and middle grey values are different. For example on my PMW-F5 at 500 EI the LC709TypeA LUT has a peak output (clipping) level of just 90% while at 2000 ISO it’s 98%. This also means that middle grey of the LOOK will shift down slightly as you lower the EI. This means that for consistent exposure at different low EI’s you may need to offset your exposure very slightly. It also means that at Native EI if the waveform shows peak levels at 90% you are not overexposed or clipped, but at low EI’s 90% will mean clipped Slog, so beware of this peak level offset.

When you raise the EI of the LOOKS, the input clipping point of the Look profile changes. For each stop of EI you add the LOOK will clip one stop earlier than the underlying Slog. For example set the LC709TypeA LUT to 8000 ISO (on my PMW-F5)  and the LOOK itself hard clips 2 stops before the actual SLog3 clips. So your LOOK will make it appear that your Slog is clipped up to 2 stops before it actually is and the dynamic range and contrast range of the LOOK varies depending on the EI, so again beware.

300x250-ad-box1 LUT's or LOOK's when exposing via a LUT on the PMW-F5 or PMW-F55 (and FS7).

So, the Looks may give the impression that the Slog is clipped if you use a high ISO and will give the impression that you are not using your full available range at a low ISO. I suspect this is a limitation of 3D LUT tables which only work over a fixed 0 to1 input and output range.

What about the 1D LUT’s? Well the LUT’s don’t cover the full range of the Slog curves so you will never see all of your dynamic range at once. However I feel their behaviour at low and high EI’s is a little bit more intuitive than the level shifts and early clipping of the LOOKs.

The 1D LUT’s will always go to 109%. So there are no middle grey shifts for the LUT, no need to compensate at any ISO. In addition if you see any clipping below 109% then it means your SLog is clipping, for example if you set the camera to 500 ISO (on an F5), when you see the 709(800) LUT clipping at 105% it’s because the Slog is also clipping.

At High ISO’s you won’t see the top end of the SLog’s exposure range anyway because the LUT’s range is less than Slog’s range, but the LUT itself does not clip, instead highlights just go up above 109% and this is in my opinion more intuitive behaviour than the clipped LOOK’s that don’t ever quite reach 100% and clip at lower than 100% even when the Slog itself isn’t clipped.

At the end of the day use the ones that work best for you, just be aware of the limitations of both and that the LUT’s and LOOKs behave very differently. I suggest you test and try both before making any firm decisions.

Personally I prefer to use the 709(800) LUT for exposure as the restricted range matches that of most consumer TV’s etc so I feel this gives me a better idea of how the image may end up looking on a consumers TV. Also I find my Slog exposure more accurate as the LUT’s restricted range means you are more likely to expose within finer limits. In addition as noted above I fell the LUT’s behaviour is more predictable and intuitive at high and low EI’s than the LOOK’s.

In addition the higher contrast makes focus easier. I will often switch in and out of the LUT to look at how the Log is coping with any over exposure. This is my personal preference, but I do also use other LUT’s and Looks in particular the 709TypeA from time to time.

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