I’m up, 200 miles North of the Arctic Circle shooting the Northern Lights with a mixture of DSLR’s and one of my PMW-F3’s. The F3’s performance has really taken me by surprise as it’s possible to capture even a very faint Aurora just using the 8 frame slow shutter. Hopefully we’ll get a nice clear night and a decent Aurora and then I can turn off the slow shutter altogether. Either way, this is the first time I have been able to shoot the Aurora with out needing to resort to time-lapse.
The below clip is Timelapse as it does show the motion of the Aurora better. Shot with my F3 using the 8 frame SLS and 18db gain.
The last couple of days provided some really spectacular skies with amazing vapor trails and fluffy clouds. So I grabbed a selection of cameras and shot a bunch of timelapse which you can see cobbled together in this clip. I used a Sony PMW-350 and a Canon 350D and 550D. Amazing how well they match after a quick grade. I also included an previously un-used Aurora shot from Iceland at the end. The name of the clip comes from the fact that clouds are made of water vapor and ice crystals.
Well I have just returned from Iceland where I held a couple of 3D stereoscopic master classes and a workshop on video for the internet. They went well and we all had fun despite almost a foot of snow fall the morning of the classes. On the last day of my trip I decided to try and get some more Northern Lights footage. As I am often asked how I do this I put together the clip below which explains what settings I use for the Aurora and also gives a brief description of S&Q on an XDCAM EX. Basically what I do is use the EX Slow Shutter at 32 or 64 frames to increase the sensitivity of the camera. For a dim Northern Lights display I use 64 frames but for a bright display I drop down to 32 frames. The slow shutter acts like a long exposure on a stills camera. I then combine this with interval record shooting at 1 frame every second. I did also have a Canon DSLR with me and tried to shoot the Aurora with that. I found I needed a 10 second exposure at 800 asa to get a similar result to that achieved with the EX. The 10 second exposure means that it would take longer to get a decent length video sequence and most of the motion of the Aurora would be lost. Some of the exposure difference was I admit to the slower F4 lens on the Canon compared to the Sony EX’s F1.8, so perhaps with a faster lens you could bring the exposure down to around 5 seconds and this is something I hope to try when I go Aurora chasing next winter.
If you watch the video make sure you stay to the end to check out my attempt to record a piece to camera in 60 mph blowing snow! Don’t know why I even thought it would work. What I will say is that my new Vinten 5AS did a great job of keeping the camera steady in some pretty extreme conditions.
Here’s a quick edit of some of the Aurora footage I managed to grab with the PMW-350 on the 6th of Feb in Karasjok in Northern Norway.
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