Tag Archives: norway

Atomos Ninja V, the arctic and the Northern Lights.

I’m sitting here in the UK, Its February and it almost 20c (68f). Very nice indeed for the UK this time of year. Just a couple of weeks ago I was in Northern Norway, up above the arctic circle running one of my annual Northern Lights adventure tours. The weather there was very different. At no time did the temperature get above -15c(5f) and for most of the trip it was around -24c(-11f) both during the day and during the night.

Now, you might consider me a sadist when I say this, but for my Northern Lights trips I normally want it to be -20c or colder. The reason being that when it’s very cold like this we normally get beautifully clear skies. And we need clear skies to see the Aurora.

DSC_0249 Atomos Ninja V, the arctic and the Northern Lights.
Everyone all wrapped up for the hour long ride by snow scooter and sledge to the cabins that we stay at.

After many years of taking a full size video camera up to Norway I decided to go light this year and just take my trusty A7S and A6300 cameras. We get around on snow scooters and on sledges towed behind the snow scooters. This can make lugging around a larger camera tricky and there are times when you just can’t take a big camera. But in order to get the very best from these cameras I also decided to take an Atomos Ninja V.

DSC_0253 Atomos Ninja V, the arctic and the Northern Lights.
Out and about on the snow scooter. It really is a very beautiful place in the winter.

The Ninja V is the first of a new generation of recorders and monitors from Atomos. It’s much smaller than the Shogun range of recorders making it a better size and weight match for smaller cameras and DSLR’s. It has a very, very nice 5″ screen with a maximum brightness of 1000 Nits. The 1000 Nit output and Atomos’s clever way of driving it means it can display both SDR and HDR images depending on how it is set up. A key difference between the Shogun and the Ninja devices is that the Shoguns have both SDI inputs and HDMI inputs while the Ninja only has an HDMI input. But if your using this with a DSLR than only has an HDMI output, as I was, the lack of SDI connectors is not a problem.

DSC_0281 Atomos Ninja V, the arctic and the Northern Lights.
Shooting a sunset with the Ninja V on my A6300. We were way up on the Finnmarksvidda when this image was taken, absolutely in the middle of nowhere and it was -27c!

The build quality of the Ninja V is really good. Most of the body is made of aluminium. The rear part where the slots for the SSD and battery are is made from plastic, but it appears to be a good high quality and tough plastic. A new feature is an “AtomX” expansion port tucked inside the battery compartment. The expansion port allow different modules to be attached to the Ninja V to add functionality such a video over IP (ethernet) using the Newtek NDI protocol for live streaming or to turn the Ninja V into an IP connected monitor. There is also an AtomX sync module that allows you to wirelessly synchronise timecode and control multiple Ninja V”s on a single network and to use Bluetooth remote control. You can find out more about the AtomX modules here https://www.atomos.com/AtomX

Anyway – back to Norway. We were very lucky with the weather, and with the Northern Lights. On the first night at the cabins we stay at the Aurora put on a pretty good display. I was shooting with my Sony A7S with a Sigma Art 20mm f1.4 lens. I was shooting a mix of time-lapse, in which case I simply record the raw frames in the camera on it’s internal SD cards as well as real time video.

DSC09536-small Atomos Ninja V, the arctic and the Northern Lights.
The Aurora put on a great display for us on several nights.

The Northern Lights are only rarely very bright. Most of the time they are fairly dim. So I was using the Sigma lens wide open, shooting at 24fps and with the shutter at 1/24th. The adjusting the cameras ISO to get a nice bright image. At times this did mean I was using some very high ISO’s with a lot of gain. Shooting like this is going to put a lot of strain on any codec. But the Long GOP XAVC-S codec used in the A7S is going to be very hard pushed to not introduce a lot of additional artefacts. In addition my older original A7S can only record HD internally.

By using the Ninja V I was able to record video of the Northern Lights in 4K using the ProRes codec. I used ProRes HQ and ProResHQ uses much less compression than XAVC-S. So even though both the internal recordings and the external recordings are limited to 8 bit (due to the cameras HDMI output limitations rather than any limitation of the Ninja) the ProRes recordings are far more robust and will noise reduce in post much better than the XAVC-S.

DSC_0278-crop Atomos Ninja V, the arctic and the Northern Lights.
Just to prove it really was -27c!!

When you’re working outside for extended periods and it’s -27c(-17f) it’s tough on the gear and tough on you. When shooting the Aurora my camera are outside all night, exposed to the cold. Typical problems include frost and ice on the front element of the lens. The moisture from your own body can easily freeze onto the lens if you stand close to the camera. If you look at the lens to check it for frost and breath out you will leave it coated in ice.

Wires and cables that are soft and flexible in normal temperatures become as stiff as steel rods and can crack and fracture if you try to bend them. All batteries will loose some of their capacity. Very small batteries are worst affected. Larger batteries tend to fair a bit better, but there is a tremendous difference between the way most cheap budget batteries behave in the cold to good quality brand name batteries. For this reason I power my complete setup from a single PAG PAGLink V-Mount battery. The PAGlink batteries are great for all sorts of different applications, but for these trips a big benefit is that a small plug type charger can be used to charge many PAGlink batteries by stacking the batteries together. Then to power multiple devices I use the clip-on PAG Power hub plate to provide 5V for the camera battery adapters that I use, 12V for the lens heaters I use and another 12V feed for the Ninja V.

DSC_0311 Atomos Ninja V, the arctic and the Northern Lights.
This is what the kit looks like when you bring it into the warm after many hours out in the cold. The thing with the yellow strap on the lens is a lens heater to prevent frost from building up on the lens. The lens is a sigma 20mm f1.4, the camera is an A7S and the recorder is the Atomos Ninja V.

After more than a few minutes outside the camera kit itself will have become extremely cold. If you then take that kit inside into a nice warm cabin the warm moist air in the cabin will condense onto the cold camera body. Because the camera body will be extremely cold this will then freeze. Before you know it the camera kit is covered in ice. What you can’t see is that it’s likely that there will also be some ice and moisture inside the camera. It can take hours to warm the camera back up again and get it dried out properly. Bagging the camera before you take it indoors can help, but taking the camera in and out many times over the coarse of a shoot like this can cause a lot of damage. So I prefer to leave all the camera kit outside for the duration of the trip.

DSC_0314 Atomos Ninja V, the arctic and the Northern Lights.
Another view of the frozen Ninja V after a night shooting the Aurora. Don’t worry, the screen isn’t damaged, that’s just frost and ice on the screens surface.

This means that when you come to fire it up you are often trying to switch on an absolutely frozen camera. In the past I have had problems with cold recorders that wouldn’t start up. But I’m pleased to report that the Ninja V always came to life no matter how cold it was. Whenever I pressed the record button it went into record. Operating the touch screen in the cold was not an issue. In fact using touch screen gloves, the Ninja was really easy to use. Pressing small fiddly buttons isn’t easy, even with thin gloves, but the touch screen turned out really easy to work with.

A big change on the Ninja V over previous models is the operating system. The new operating system looks really good and is quite logically laid out. Gone is the old AtomHDR slider that changes the brightness of the screen when in HDR. This is replaced with dedicated viewing modes for Native, 709, PQ HDR and HLG HDR and viewing via a LUT. I prefer the new fixed HDR modes over the Atom HDR slider modes as it eliminates the uncertainty that can sometimes creep in when you use a slider to change the brightness of the display. In my case, when shooting during the day using S-Log2 I would simply select S-Log2 as the source and then use PQ to display an HDR image on the screen. At night when shooting the Aurora I used Rec-709.

DSC_0283 Atomos Ninja V, the arctic and the Northern Lights.
You can see how the normal size 2.5″ SSD sticks out a bit from the side of the Ninja V. The SSDMini’s don’t stick out in the same way. Also note that even though I am shooting using S-Log2 on the A6300 the Ninja V is showing a nice contrasty image thanks to the PQ HDR display option.

The Ninja V can take the same size 2.5″ SSD caddies as the current Shogun recorders. So I was able to use the SSD’s that I already own. However to keep the size of the recorder down it has been designed around a new slightly shorty SSD form factor called SSDMini. When you use a standard size 2.5″ SSD it does stick out from the side of the recorder by about 25mm. If you use an SSDMini it doesn’t stick out at all. SSDMini’s are currently being manufactured by Angelbird and Sony. They have the same sata connector as regular 2.5″ SSD’s and the SSDMini’s can also be used on the larger Atomos Shoguns.

DSC_0286 Atomos Ninja V, the arctic and the Northern Lights.
A basic lightweight but effective setup. Atomos Ninja V, Sony A6300, Miller Compass 15 head and Solo tripod.

By the time we were ready to leave Norway we had seen the Northern Lights on 3 different nights. By day we had seen some beautiful sunrises as well as other optical effects like sun dogs caused by the light from the sun being refracted by ice crystals in the air. The Atomos Ninja V had impressed me hugely. It just worked perfectly despite the extreme cold. It allowed me to record at higher quality than would have been possible without it and turned out to be easy to operate. What more can you want really?

Fancy joining me on one of these trips? Follow the link to find out more: http://www.xdcam-user.com/northern-lights-expeditions-to-norway/

Advertisements

Norway 2019 Aurora Tours Filling Up Fast.

In February 2019 I am running 2 Aurora hunting trips to the north of Norway. One of these has just sold out so that means that  places are now only available on the first tour.

A7-first-night1-1024x684 Norway 2019 Aurora Tours Filling Up Fast.
Captured on the first night at the cabins in 2018.

These are very different to the normal Aurora hunting trips to a big city. We start in the town of Alta in Northern Norway, staying in a nice hotel close to the amazing looking Northern Lights Cathedral. From there we travel inland to the capital town of the Sami people – Karasjok.

As we get near to Karasjok we exchange our mini-bus for snow scooters and sleighs and journey way off the beaten track, up above the tree line and across frozen lakes to a small lodge used by cross country skiers and dog sled teams. This group of cabins becomes our base to explore the Finnmarksvidda for 4 days as well as being a near perfect location for watching, photographing and filming the Northern Lights.

-Jan-Helmer-Olsen-Ravnastua_2017-0011-1024x576 Norway 2019 Aurora Tours Filling Up Fast.
We always try to get up onto the plateaux at some point. This view taken from a drone shows how desolate yet beautiful it is. Nothing man made from horizon to horizon.

It is stunningly beautiful around the cabins, it’s also amazingly peaceful and quiet. We are looked after by a couple of Sami people who cook meals for us, take us ice fishing and help us explore this spectacular and unspoilt winter wilderness.

If you want to know more please take a look at the main page for the tours: http://www.xdcam-user.com/northern-lights-expeditions-to-norway/

 

Sony Pro Tour Oslo Feb 8th March 2018

image007-1024x244 Sony Pro Tour Oslo Feb 8th March 2018Sony’s Pro Tour is visiting Oslo, Norway on the 8th of March 2018. At this event there will be the opportunity to see some of Sony latest video production kit including cameras from the handheld range like the PXW-FS7M2, PXW-FS5, PXW-Z90 as well as a large range of monitors, vision mixers and related video production technology.

There will be 4 different product areas as follows:

Large Format Sensor

Showing PXW-FS7 II, FS7 & FS5

4K HDR Production

Showing PXW-Z90, PXW-Z150 & HXR-NX80 (TBC)

HD Production

Showing PXW-X70, PXW-X200, HXR-NX100

Live Event Production

Showing MCX-500, RM-30BP, HXR-NX5R, SRG-360, RM-IP10 and an RX0

As well as the exhibits there will be a seminar “HDR for all” from Alister Chapman with some great information on what HDR is, what you can expect from it and how you can use Sony’s cameras to create instant HDR content.
Admission is free. For more information and to register please CLICK HERE.

Aurora Tours winter 2018/2019 – Now better value than ever!

Bookings are now open for my winter 2018/2019 Aurora hunting adventure tours. Click here for the full details.

I’ve been running my Aurora adventure tours for 11 years and so far every trip has seen the Northern Lights. This year I had a couple of guests that had already travelled to Iceland and Finland in search of the Aurora, but had not seen it. So it was wonderful to see their faces when the Northern Lights came out to play for us most nights.

A7-first-night1-1024x684 Aurora Tours winter 2018/2019 - Now better value than ever!
2018 was yet another great year for my Aurora tours. This picture taken on January 20th.

For the last couple of years I have been basing the tours out of Alta in Northern Norway, travelling from Alta to some cabins far off the beaten track at very special place just outside of the very small town of Karasjok. We stay at the cabins for several reasons.

1: It’s very different – only accessible by snow scooter.

2: It’s truly beautiful – a chance to get back to a slower way of life for a few days.

3: Clear skies – this location seems to deliver clear skies when many other areas are cloud covered.

4: Adventure – where else can you stand on the top of a hill and not see anything else man made from horizon to horizon.

-Jan-Helmer-Olsen-Ravnastua_2017-0011-1024x576 Aurora Tours winter 2018/2019 - Now better value than ever!
We always try to get up onto the plateaux at some point. This view taken from a drone shows how desolate yet beautiful it is. Nothing man made from horizon to horizon.

AJC07553-1024x682 Aurora Tours winter 2018/2019 - Now better value than ever!
Another Aurora picture from January 2018. This time Jan 19th.

So why not come and join me for an adventure you’ll remember forever? I’ll help you take your own photos or video of the Aurora if that’s what you want to do. Or just come and enjoy a bit of Sami culture as our host Oskar cooks traditional meals of reindeer, elk and salmon before we enjoy a traditional Sauna. During the day we go ice fishing, head out up on to the arctic plateaux by snow scooter or go dog sledding through the snow covered trees of the forest.

I’ve worked hard this winter to get the very best deals on the hotel and cabins that we stay at. As a result the cost of the tours is now lower than the past couple of years and I am even able to offer a really amazing early bird deal for those that book and pay 6 months before the tour. Full details here.

The Sony PXW-Z90 – a compact 4K camcorder with auto focus at it’s best!

Normally when I travel up to arctic Norway for my annual Northern Lights expeditions I take a large sensor video camera. Last year it was the Sony FS5, which performed very well and gave me some great results. But this year I decided to down size and instead of taking a bulky camera I chose to take a pre-production sample of Sony’s diminutive new PXW-Z90 camcorder.

36B8104-683x1024 The Sony PXW-Z90 - a compact 4K camcorder with auto focus at it's best!
In Norway with the PXW-Z90.

On the outside the Z90 looks almost exactly the same as the older PXW-X70 camcorder. I’ve shot several videos with the X70 and it’s a great little camcorder that produces a very good image considering it’s small size. Being a new model I expected the Z90 to offer some small improvements over the X70, but what I didn’t expect was the very big improvements that the Z90 brings.

The Z90 is the first camcorder from Sony to incorporate a new design of sensor. It’s a 1″ type sensor, so like the X70, bigger than you used to find on small handycams, but not as big as the super 35mm sensor found in the FS5, FS7 etc. This is a nice size for this type of camera as it makes it possible to obtain a shallow depth of field by using the cameras built in ND filters (yes- it really does have ND filters built in) and a large aperture. Or if you need a deeper depth of field for easier focussing or run and gun then you can use a smaller aperture by switching out the ND filters. The maximum aperture of the zoom lens is f2.8 but it does stop down to f4 towards the telephoto end.

stacked-cmos The Sony PXW-Z90 - a compact 4K camcorder with auto focus at it's best!
Sony’s new stacked CMOS EMOR RS sensor

This new sensor uses a new construction method that allows it to have several layers of electronics immediately below the imager pixels. The “stacked” sensor can as a result incorporate more image processing and a large memory area right under the pixels. This means that the sensor can be read out much more quickly than is normal for this type of camera and as a result rolling shutter is hugely reduced (I didn’t notice any in any of my footage).

As well as a reduction in rolling shutter compared to other similar sensors, the ability to do more on chip image processing appears to bring other advantages as the noise levels from this camera are very low indeed.

Z90-Night-scooter-ride-1024x576 The Sony PXW-Z90 - a compact 4K camcorder with auto focus at it's best!
Frame grab from a night time snow scooter ride. Shot at +15dB gain the noise is still very minor. (click on the image to view a larger version.

The low noise levels mean that this camera performs surprisingly well in low light. Adding in +6dB  was not a problem if needed. Even with +15dB of gin the images hold together very well. Clearly the camera is doing a fair bit of electronic noise reduction at higher gain levels and there is a slight increase in image smear as a result. Plus in certain circumstances the noise levels do rise, especially if you have large dark areas amongst in an otherwise brighter scene. In my sample footage during the night time snow scooter ride, which was shot at +15dB gain, you don’t see and noise over the snow, but you can see some grainy noise over the dark jacket of the snow scooter driver (see the frame grab above).  The fact that you can push the camera up to +15dB and in most cases get a pretty good image is very nice.

Z90-HLG-frame-grab-1024x576 The Sony PXW-Z90 - a compact 4K camcorder with auto focus at it's best!
Frame grab form a PXW-Z90 – Hybrid Log Gamma. Click on the image to see a larger version.

On top of good sensitivity you also have great dynamic range, more than the X70 and enough to make direct HDR shooting and log shooting possible with this tiny hand held camcorder. It doesn’t quite have the dynamic range of an FS5 or FS7, but there is still plenty of range to help deal with challenging lighting situations.

As well as bringing a nice improvement in image quality over the X70 (which is pretty good already) the new sensor brings a vastly improved autofocus system. There are 273 focus detection points which are combined with faster readout, faster on sensor processing and the same AF processing technology as used in the flagship Sony A9 stills camera. This brings a really remarkable autofocus system to this camera. The AF system is a newly developed hybrid system that combines phase detection AF with new algorithms created specifically for video rather than stills photography. At last this is an autofocus system that really works for a video camera. It is intelligent and responsive. There is no hunting for focus, it just seems to get on with the job.

AJC03989-1024x683 The Sony PXW-Z90 - a compact 4K camcorder with auto focus at it's best!
Adjusting the AF response on the PXW-Z90.

Just about every aspect of the autofocus system can be customised in the camera menu. You can choose between using focus zones, the full image width or selectable focus spot areas. The cameras LCD screen is a touch screen so you tap the screen where you want to focus.

You can also tailor the AF’s response speed, you can adjust the size of the tracking range, using a wide range for occasions when you want the AF to follow an object through the shot, or use a narrow range to restrict the focus depth range.

AJC03986-1024x683 The Sony PXW-Z90 - a compact 4K camcorder with auto focus at it's best!
The PXW-Z90’s variable AF drive speed.

You can customise how quickly the AF will move from one object to another, from staying locked on to a faster more responsive setting.

In addition it has that wonderful Sony face detection system that allows you to choose one face out of a crowd of people using the thumb stick on the hand grip or the touch screen. Once selected the camera will stay locked to that face.

36B8087-1024x576 The Sony PXW-Z90 - a compact 4K camcorder with auto focus at it's best!
Working with the PXW-X90 in Norway.

While I was up in Norway it was between -24c and -30c. In those temperatures you really don’t want to take your mittens off for more than a minute or so. Being able to rely on the cameras autofocus allowed me to keep my fingers warm. Not one shot out of all my rushes from the trip has incorrect focus. That is truly remarkable and made shooting with this camera a real pleasure. I’m not saying that you should always use autofocus. When possible I love to be able to pick and choose how I focus. But in many situations or for less experienced shooters this autofocus system will be a game changer.

For my test shoot in Norway I mostly used Picture Profile number 10 which gives an instant HDR workflow thanks to the use of Hybrid Log Gamma. Using HLG you can shoot as you would do with any other conventional camera. Then take the footage and play it back in HDR on an HDR TV without any grading or other post production work. I also shot at a couple of locations using S-Log2 to test how that worked (I was shooting in UHD and the camera is 8 bit in UHD. For 8 bit I prefer S-Log2 over S-Log3). The Z90 has 10 picture profiles that allow you to tailor how the image looks, including a crunchy DSLR type look. Some filmic looks using Sony’s cinegammas as well as profiles for shooting S-Log2, S-Log3 and Hybrid Log Gamma (HLG).

Z90-dog-sled-frame-grab-1024x576 The Sony PXW-Z90 - a compact 4K camcorder with auto focus at it's best!
Dog sledding in the arctic (frame grab). Shot in HDR using HLG on the PXW-Z90.

The Z90 has Sony’s XAVC-L codec. This high quality codec offers 10 bit 4:2:2 broadcast quality recordings in HD and 8 bit 4:2:0 recordings in UHD (3840 x 2160). The camera records to SDXC cards, so media costs are very low. There are two card slots and you can record to each slot singly, record to one card after the other or dual record on to both cards at the same time for redundancy and an instant back. You can even use each of the cameras two record buttons to control the records on each card independently should you wish.

36B7978-1024x576 The Sony PXW-Z90 - a compact 4K camcorder with auto focus at it's best!
The PXW-X90 is very small, so carrying it around on the snow scooters was easy.

AJC03977-1024x683 The Sony PXW-Z90 - a compact 4K camcorder with auto focus at it's best!
The rear of the hand grip of the PXW-Z90.

The Z90 is a small camcorder and like all small camcorders this doesn’t leave much room for large buttons and switches. The menu system and many of the cameras functions can be controlled via the touch screen LCD or the small joystick/thumb stick on the hand grip. Iris, shutter speed and gain each have a dedicated access button that selects the function.

AJC03975-1024x683 The Sony PXW-Z90 - a compact 4K camcorder with auto focus at it's best!
The Full Auto switch and ND filter control on the PXW-Z90.

Then you use the thumb stick to select the value you want, or you can set each item to Auto. In addition there is a switch to put the camera into full auto on the rear of the camera. Just below the full auto switch is the control switch for the ND filters.

AJC03970-1024x683 The Sony PXW-Z90 - a compact 4K camcorder with auto focus at it's best!
The Sony PXW-Z90 compact 4K camcorder.

The lens is a Zeiss 12x optical zoom with built in optical image stabilisation. It is controlled by a single ring around the barrel of the lens which can be switched between focus control or zoom control. In addition there is the usual zoom rocker on the handgrip as well as a small zoom switch on the top handle. In addition to the optical stabilisation the camera also has Sony’s electronic “super steadyshot” stabilisation that can be used in addition to the optical stabilisation. Another very handy function is “Clear Image Zoom”. This is a form of electronic zoom function that makes use of a database of textures and object types. When using clear image zoom the camera uses this database to apply just the right amount of image processing during the electronic zoom process. In most cases you can’t see any degradation of the image when using clear image zoom. I left it on for all of the Norway shoot as it turns the 12x zoom into a very handy 18x zoom.

X90-wide-1024x576 The Sony PXW-Z90 - a compact 4K camcorder with auto focus at it's best!
The wide end of the PXW-X90’s zoom range.

x90-telephoto-1024x576 The Sony PXW-Z90 - a compact 4K camcorder with auto focus at it's best!
The long end of the PXW-X90’s zoom lens.

 

 

 

 

 

 

 

 

 

 

 

 

 

After doing so much shooting on large sensor cameras with restricted zoom ranges getting back to a small camera with a big zoom range was fun. For future Norway trips I am very tempted to switch to a camera like the Z90.

AJC03972-1024x683 The Sony PXW-Z90 - a compact 4K camcorder with auto focus at it's best!
The right side of the PXW-Z90.

The Z90 body is almost exactly the same as the X70. The cameras top handle has 2x XLR connectors with the audio controls for the two channels on the opposite side of the handle.

AJC03978-1024x683 The Sony PXW-Z90 - a compact 4K camcorder with auto focus at it's best!
The audio controls of the PXW-Z90.

If you want to make the camera more compact the handle can be removed, but when you do this you will no longer have any XLR connectors. Instead you will have an MI shoe on the top of the camera body  that can be used to connect a Sony UWP-D radio mic or a n XLR adapter. There is also a stereo microphone built into the main body of the camera, so even with the hand grip removed there are plenty of audio options.

AJC03985-1024x683 The Sony PXW-Z90 - a compact 4K camcorder with auto focus at it's best!
The PXW-Z90’s flip out LCD screen.

The flip out LCD panel acts as the cameras main viewfinder. Opening and closing the LCD screen turns the camera on and off. It starts up and shuts down very quickly. The resolution of the LCD is similar to most other modern camera LCD’s. It’s adequate for this type of camera, but it isn’t the highest resolution screen in the world. To check focus you have a button on the top of the hand grip to activate the image magnification function and the camera has a coloured peaking system to help pick out what is, and what is not in focus.  I suspect that with this particular camera, many users will take advantage of the cameras excellent auto focus system and there is a lot of feedback to the user of how this is working including coloured boxes that indicate exactly what the camera is focussing on.

AJC03974-e1519143855419-683x1024 The Sony PXW-Z90 - a compact 4K camcorder with auto focus at it's best!
The rear of the Sony PXW-Z90.

As well as the side LCD panel there is also a small OLED electronic viewfinder on the rear of the camera. This is very useful for use in very bright sunlight, but it is rather small.

The cameras gain, shutter and iris functions each have a dedicated button on the side of the camera. One push of the appropriate button enables that function to be controlled by a small dial wheel just under the front of the lens.

AJC03968-1024x683 The Sony PXW-Z90 - a compact 4K camcorder with auto focus at it's best!
Iris, gain and shutter speed controls on the side of the PXW-Z90.

Press the shutter button and the wheel controls the shutter. Press the gain button and the wheel controls the gain. Overall this system works well, but I would still prefer a separate gain switch and a shutter speed up/down switch. On the rear of the hand grip there is a small joystick that sits under your thumb. You can use this thumb-stick to set many of the cameras settings and to navigate through the cameras menu system.  In addition you can use the LCD touchscreen to navigate through the menu as well as select your autofocus points etc.

The PXW-Z90 is a small camera that packs a very big punch. It’s never going to give the fine degree of image control that you get with most large sensor cameras and it won’t quite deliver the same image quality either (although it’s really, really close). If you need a small, discrete camera, perhaps you travel a lot, or you just need a “B” camera, then the Z90 offers a  possible solution.  I haven’t even touched on all the streaming, ftp and wifi capabilities of this camera. The auto focus system is a delight to use and it’s the best AF system I’ve ever come across on a video camera. The new sensor in the Z90 is clearly a fairly large step forwards from the sensor in the previous similar model the X70, it has more dynamic range, a lot less rolling shutter (not that it’s a big problem on the X70) and the final images look better as a result. I might just have to add one to my camera collection.

 

If you would like to join me on one of my adventures to arctic Norway please see take a look at this page. I’ve been running these trips for 11 years and EVERY tour has seen the Northern Lights. This year was no exception and we got to see some really great Auroras and had a great time dog sledding, ice fishing and exploring the Finnmarksvidda.

A7-first-night1-1024x684 The Sony PXW-Z90 - a compact 4K camcorder with auto focus at it's best!
2018 was yet another great year for my Aurora tours. This picture taken on January 20th.

 


 

Spaces open for my January 2018 Northern Lights adventure.

-Jan-Helmer-Olsen-Ravnastua_2017-01297-1024x576 Spaces open for my January 2018 Northern Lights adventure.
Picture taken by Jan Helmer Olsen. One of the guides on the tour.

Due to the unexpected redundancy of one of my guests I am now looking to sell on a couple of places on my Northern Lights expedition in January on his behalf.

The trip starts and finishes in Alta, Norway. Food is included for most of the trip. We spend 4 days up on the Finnmarksvidda where we normally get amazing Northern Lights viewing opportunities. I can also help guide anyone that wants to learn how to photograph or video the Aurora.

This is a real adventure and a lot of fun. The only way up to the cabins by snow scooter, crossing frozen lakes along the way. We eat a campfire lunch in a Sami style tent, we go ice fishing, exploring by snow scooter and enjoy traditional sauna nights.

More details can be found here: http://www.xdcam-user.com/northern-lights-expeditions-to-norway/

Norway and the Northern Lights 2018.

Over-barn-vibrant-1024x665 Norway and the Northern Lights 2018.After a test run starting and finishing in Alta last year I have decided to run the trips from Alta again next year. The hotel is nicer and the itinerary more relaxed. Starting and finishing at Alta gives us more time at the cabins.

2017/2018 Northern Lights Expeditions to Norway, travelling by road and snow scooter, staying in mountain cabins. Including food for 4 days, ice fishing, snow scooter use and optional photo/video tuition. You must book your own flights to Alta, Norway.

2018 Tour 1: Arctic Dawn. On this tour we will see the very first sunrise of the year. The moon will be absent during the night, so best suited for shooting and viewing faint Aurora.  Arrive Friday 12th January 2018, depart Thursday 18th January 2018.   £1,350 per person. Max 8 people. (cost of flights NOT included).  You must arrange your own transport to and from Alta, Norway.

2018 Tour 2: Moonrise Tour. On this tour we will have a rising moon (after new moon) The moon will start at 18% illumination and increase to 53% illumination over the course of the tour. This will provide interesting possibilities for moonlit landscapes, but if the Aurora is very, very faint it will be harder to see. The days will be longer during this tour than the first tour. Arrive Thursday 18th of January 2018, Depart Wednesday 24th of January 2018. £1350 per person max 8 guests.

These really are amazing adventures. Not just a chance to see the Northern Lights but also a chance to experience some of the most beautiful scenery on the planet. Full details can be found by clicking here.

Anatomy of a shot. Night Scene in Arctic Norway – Fujinon lenses, Stella Lights.

I have just return from one of the most challenging shoots I have been involved in. The shoot took place over 5 days in and around Tromso in Norway. The aim was to gather footage to show off the capabilities of a new type of 4K TV from Phillips.

We shot the Northern Lights, we shot dog sledding , snow mobiles, shots of the city and sailing on the fjords. Each part of the shoot had many challenges and a lot of the shoot took place at night and at night the crew slept in cabins, tents and on the yachts. Shooting from the ice and snow covered deck of a yacht in temperatures well below zero is not something I enjoyed. And to top it all off the weather was pretty grim fro most of the shoot. Heavy snow showers, freezing temperatures and towards the end strong winds.

Because image quality is paramount for this project I choses to use the best lenses I could, but at the same time space and time constraints dictated that zoom lenses would be desirable. We were shooting 16 bit raw as well as XAVC class 480 on my PMW-F5 and some pick-up shots in UHD XAVC-L on a PXW-FS5. For the PMW-F5 the primary lens was the Fujinon Cabrio XK6x20, 20-120mm PL zoom and to ensure we had similar looking images from the FS5 I used the new Fujinon XF 18-55mm. I have to say that I’m quite in love with both of these lenses.

fujinon-xk6x20-20-120mm-t3-5-pl-mount-lens-cc1-e1490981959479 Anatomy of a shot. Night Scene in Arctic Norway - Fujinon lenses, Stella Lights.
Fujinon Cabrio XK6x20 PL mount cinema zoom. A beautiful lens!

The Cabrio 20-120 is a beautiful lens and it’s really nice to have a servo zoom that is truly parfocal. The 20-120 produces really nice images even in the most challenging of conditions and at T3.5 it’s reasonably fast throughout the entire zoom range. This was the lens that I used for the majority of the shoot, in particular for the many night scenes we shot. The E-Mount 18-55 on the FS5 produces images that matched really well with the bigger lens and camera. This is a combination I would love to use on more shoots where the budget will allow.

One particular scene that we had to shoot was particularly challenging. It was a set up shot of a night time arrival of a couple of snowmobiles at a Sami camp site. The Sami people are the indigenous people of Northern Norway and they have a particular style of tent know as a Laavu which is similar to a teepee or wigwam. The idea behind the shot was to have the snow scooters arriving with headlights blazing and for the drivers to then enter the tent lit only by the light of a campfire inside the tent. At the time of the shoot it was snowing heavily and was totally dark. Turn off the lights of the snowmobiles and you could not see a thing.

A007C001_170317I9snwscter-wide-1.-e1490980652498 Anatomy of a shot. Night Scene in Arctic Norway - Fujinon lenses, Stella Lights.
Wide shot of the snowmobiles arriving at the camp in the dark.

While modern cameras like the F5 are very sensitive, the light of a campfire inside a tent will not adequately light a scene like this on it’s own. I didn’t want a totally dark background, so I decided that I would subtly light the trees of the forest that we were in to add some drama and give some depth to the background and a sense of being in a forest.

In-tent-wide-e1490980747645 Anatomy of a shot. Night Scene in Arctic Norway - Fujinon lenses, Stella Lights.
A slightly closer shot of the tent with backlit trees behind it.

As we were travelling continuously on this shoot there was no space for a large or complex lighting kit and the remote location meant we needed battery powered lights. In addition I knew before we left that there was a chance of bad weather so I needed lights that would work whatever mother nature decided to throw at us.

snw-scter-start-e1490980892561 Anatomy of a shot. Night Scene in Arctic Norway - Fujinon lenses, Stella Lights.
A snow scooter comes into the shot. You can see just how heavily it was snowing in this shot.

I decided to take a set of 3 Light & Motion Stella battery powered LED lights. It’s just as well I had the Stella lamps as on top of all the other difficulties of the shoot the weather decided it was not going to play ball. We had to shoot the scene (and much of the shoot) in the middle of a snow storm. Fortunately the Stella lights are completely waterproof, so I didn’t need to worry about rain or snow protection. Just set them up turn them on and use the built in dimmer to set the light output.

To light the scene I set up a Stella Pro 5000 in the woods behind the Sami tent, aimed through the trees and pointed directly towards the camera. I chose to backlight the trees to provide a sense of there being trees rather than lighting them. I felt this would look less lit than throwing a ton of light into the forest from the front and I’m pleased with the result.

20170317_201335-e1490980965481 Anatomy of a shot. Night Scene in Arctic Norway - Fujinon lenses, Stella Lights.
A Light & Motion Stella Pro 5000 was used to back light the trees and tent. The heavy snow was no problem as the light is totally waterproof.

The Stella Pro 5000 is very bright for a compact battery operated light, it’s 5000 lumen 120 degree output that is pretty close to what you would get from a 200W HMI, it’s very bright. It has a very high CRI and gives out great quality daylight balanced light.  It was positioned so that the light itself was behind the tent on a small bank, about 20m back in the woods. You couldn’t see it in the shot, but the light coming through the trees created shafts of light in the snow and the trees appeared as silhouettes. It added depth and interest to what would have otherwise been a near totally black background.

20170317_203855-e1490981224538 Anatomy of a shot. Night Scene in Arctic Norway - Fujinon lenses, Stella Lights.
Light & Motion Stella 2000 used to light the forground, again the lamp is waterproof so bad weather is no problem.

Then to provide a small amount of light so that we could see the riders of the snow scooters as they walked to the tent I used a Stella 2000. I didn’t really want the light from this lamp to be too obvious as this would really make the scene look “lit”. I didn’t need the full 2000 lumen output so I used the built in dimmer to reduce the output to around 70%.

The third light was a small Stella 1000 and this was placed inside the tent with a scrunched up orange gel. The Stella 1000 would typically be used as a camera top light, but it’s full dimmable and produces a very high light quality, making it suitable for many applications. The creases and folds in the orange gel helped break up the light a little creating a less lit look sympathetic to the fire inside the tent.

in-tent-mid-e1490981340247 Anatomy of a shot. Night Scene in Arctic Norway - Fujinon lenses, Stella Lights.
A Stella 1000 with orange gel was used inside the tent to give the light from the fire a small boost.

It allowed me to increase the illumination in the tent, adding to the light from the fire without it being obvious that the tent interior was lit. For some of the shots I had an assistant sit in the tent, out of shot and slowly move the gel in front of the light to add a little movement to the light to mimic the firelight even better.

sihuette-e1490981444887 Anatomy of a shot. Night Scene in Arctic Norway - Fujinon lenses, Stella Lights.
One particular shot on the storyboard was the silhouette of the drivers entering the tent. The Stella 1000 really helped punch trough the canvas sides of the tent.

At the moment I can’t show you the footage. That will have to wait until after the launch of the TV. But I’m really pleased with the way this scene came out. It’s challenging trying to shoot in the dark, in a blizzard, in temperatures well below freezing. Every aspect of getting this scene was hard. Opening a flight case to get out some kit meant getting snow on everything inside it. Just positioning the light up the woods was tough, the snow was up above my knees as I waded through it. Operating the camera is so much harder when it has a rain cover on it. The viewfinder was constantly misting up as snow fell on it non stop. Seeing the witness marks on the lens is difficult (although thankfully the marks on the Fujinon 20-120 are huge and easy to see).

20170317_205922-e1490981701785 Anatomy of a shot. Night Scene in Arctic Norway - Fujinon lenses, Stella Lights.
The Fujinon Cabrio XK6X20 lens all iced up at the end of the day. After shooting out in sub zero temperatures don’t take the camera inside until you are sure you have wrapped for the day!

But sometimes it’s challenges like these that make the job interesting. I know I was cursing and swearing at times trying to make these shots work, but seeing the scene come to life in the grade is all the more rewarding.

I’ll be writing more about the Fujinon 20-120 very soon, so why not subscribe to my blog using the subscribe bottom on the left.

Sony FDR-X3000 4K Action Cam – built in gimbal.

One of the cameras I used a lot in Norway is the new Sony FDR-X3000 action cam. What’s different about this POV camera is that the lens and sensor are actually mounted in an internal miniaturised gimbal. This really does work and helps stabilise the image.

There is also a tiny bluetooth monitor that you can wear on your wrist to view the pictures and control the camera. The image quality you get from these tiny cameras really is quite amazing. Take a look at the video to find out more and see some sample footage.

Northern Colour – new Northern Lights video.

It’s that time of year again. After another simply amazing trip to northern Norway I am pleased to be able to share with you my latest Aurora video. It was shot with a Sony A7s and a Sony A6300. The lenses used were a Sigma 20mm f1.4 art lens. An older Sigma 20mm f1.8, a samyang 14mm f2.8 and a Sony 16mm f2.8 pancake lens. A Metabones Speedbooster Ultra was used on the A6300. For the slider shots I used a home built track (made so it fits my suitcase perfectly) and a Cinetics Cinemoco controller. Hope you enjoy it.