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Thanks Alister,
I love your updates on using the camera. This is how I was hoping they would configure the new look with separate gamma and matrix components . It sounds like I can match the S-Cinetone Matrix with any of the gammas I was used to in the FS7. Can I also match my own User created Matrix with the new “original gamma” which you are describing as close to the s709 Venice LUT?
Will this be a gamma that is roughly similar in DR to what we got by burning in a 709A LUT on the FS7?
Tomorrow I will finally get a chance to see and hopefully play with an FX9 as part of the Sony FX9 road show. Anything you suggest I look at in particular?
I would like to get a chance to see if I can get a match with my FS7 & your Venice LUT but I don’t know that they’ll let me set mine up .