Tag Archives: ILME-FX6

New Firmware Coming For The FX3, FX30 and FX6 – Shutter Angle for FX3/30.

FX-Firmware-Version5-600x470 New Firmware Coming For The FX3, FX30 and FX6 - Shutter Angle for FX3/30.

Before you get too excited – these firmware updates are not coming just yet. But they are coming.

FX6

The FX6 will get an update to Version 5  to quote Sony “in May 2024 or later” which will include:

–  The addition of 1.5x setting to the De-squeeze function

– Monitor & Control app compatibility (ex. Waveform, False colour such as FX3/30 already supported)

–  A new preset 709tone to support to colour match multiple cameras  (I assume this is to match the older Sony Rec-709 look)

– The expansion of supported lenses, such as the SEL100400GM & SEL200600G, for breathing compensation.

FX3 and FX30.

Then later in the year, in September 2024 or later the  FX3 and FX30 will get:

– A Shutter Angle option

– 709tone support

– SRT/RTMP/RTMPS support for Live streaming demand

The addition of shutter angle in the FX3 and FX30 is going to please a lot of owners of these 2 cameras.

 

 

Why is there a ! next to my LUTs after FX6 firmware update?

If you have just updated your FX6 firmware and are now finding that there is an exclamation mark ! next to the LUT or base look name what this is telling you is that the LUT cannot be saved using the new Embedded LUT feature.

In previous firmware versions the camera used to save LUT’s internally using a  format that would not be compatible with most edit or grading applications when saved in the cameras metadata as an embedded LUT.  So, old LUTs loaded in previous firmware versions will show a ! before the LUT name. The LUT should still work, you just won’t be able to save it as an embedded LUT.

The only way to resolve this is to delete the LUT from the camera and then reload it from the original source. LUTs for the FX6 should be 33x cube LUTs.

Don’t forget I offer a wide range of free LUTs that work perfectly with the FX6,  take a look here: https://www.xdcam-user.com/picture-settings-and-luts/alisters-free-luts/

Sony Releases FX6 Version 4 Firmware

Announced earlier in the year, Sony has now released their version 4 update for the FX6. This is a very nice upgrade for the camera adding several very useful features, some of which have been available on the FX30 and FX3 for some time.

I recommend you do this update, there is no need to go via version 3 if you are still on version 2, you can go direct to version 4.

You will find the firmware here: https://www.sony.co.uk/electronics/support/interchangeable-lens-camcorders-ilme-series/ilme-fx6v/software/00259041

Place the downloaded BODYDATA.DAT file on an SD card that you previously formatted in the camera. Do NOT put the file inside any other folder on the SD card then put the card in the lower of the cameras 2 SD card slots and from the full menu go to  Maintenance/Version/Version Up. Like many of Sony’s camera firmware updates the camera will appear to stop functioning and the LCD screen will go blank during the update process, the only clue that it is actually progressing will be the flashing red LED next to the upper SD card slot. The update doesn’t take long, around 5 mins, but whatever you do don’t panic when you see the LCD go blank. Just wait for the update to complete at which point the camera will restart.

Benefits and Improvements

  • Adds support for Movie file names in the Camera ID + Reel# format
  • Adds a function that displays De-squeeze (2.0x, 1.3x) in the viewfinder and HDMI output
  • Adds more AF frame rates during Slow & Quick Motion
  • Adds support for Flexible ISO and Cine EI Quick in shooting mode:
    • Allows you to record S-Log3 content with exposure settings by adjusting the ISO sensitivity
    • Allows you to record at a base ISO setting the same as Cine EI, with the base ISO adjusted automatically in conjunction with EI value
  • When the shooting mode is set to Flexible ISOCine EI, or Cine EI Quick, adds support for recording a 3D LUT file to the same memory card with the base look used during shooting as the shooting data, at the same time

FLEXIBLE ISO

Flexible ISO allows you to shoot using S-Log3 while monitoring via a LUT, but it is NOT a CineEI or Exposure Index mode. In this mode when you raise the ISO above the base ISO of 800 or 12800 you actually add digital gain to the S-Log3 recordings, making them brighter (and noisier). The camera isn’t becoming more sensitive, this is just a gain increase (alternately you can add gain in post and the result is broadly similar).
DO be aware that there can be a loss of dynamic range whenever you are shooting above the cameras base ISO. This will normally be a decrease in the highlight range. But, I would imagine that most people that are using this mode will be doing so because they don’t have enough light for 800 ISO. So, a loss of highlight range is perhaps unlikely to be an issue. As with CineEI you can monitor via a LUT and when exposing via the s709 LUT you should use the same levels as when shooting using CineEI (middle grey 44%, white card/white paper 78%, pale skin tones 60-65%).

CINE EI QUICK

This is the CineEI mode I use the most. It works the same as normal CineEI except in this mode the camera will automatically raise the base ISO to the high base ISO to 12800 ISO as you go above 2500 EI and then lower the base ISO back down to 800 ISO as you drop the EI below 3200 EI. I find this helps avoid ending up at a very high EI or very low EI (relative to the base ISO) by mistake and makes it quicker to work in changing light conditions. 

EMBEDDED LUT

Enabling Embedded LUT (Full Menu/CineEI/Flex ISO Set/Embedded LUT File) allows the camera to save the LUT that you are using within the metadata on the SD card. This helps keep the footage and the LUT together in the same place which can assist post production ensure the correct LUT is used. Of course – when you do your back ups you need to make sure you copy the entire contents of the card (which is best practice anyway).

 

Bright Tangerine Rigging Options for the FX6

Bright Tangerine are a UK manufacturer of very high quality camera accessories such as matte boxes, base plates etc. They are based not far from me and I have know them for many years. They also happen to be a sponsor of this site. They may not be a company that some of you have come across before as traditionally their products have been aimed at high end users of cameras such as Venice as well as the Arri and Red digital cinema cameras. But they are now producing some very nice products for lower cost cameras such as the Sony FX6.

Starting at the top of the camera we have a very nice top plate with an optional center section. The center section as well as the sides sections of the cheese plate are all Nato rail compatible and you can attach a Nato rail handle should you wish to use a different handle to the sony one.  Like the majority of Bright Tangerine products the 1/4″ and 3/8″ holes are fitted with stainless steel inserts and are surrounded by holes to the Arri anti-rotate standard. 

center-plate_1.2.1 Bright Tangerine Rigging Options for the FX6
Optional top center nato rail section for the FX6
top-cheese-plate2_5.1.1 Bright Tangerine Rigging Options for the FX6
Bright Tangerine top cheese plate for the FX6.

Moving to the side of the camera there is the option to attach a side plate to the top plate. This side plate provides plenty of mounting space for things like radio mics or timecode boxes. It is mounted sufficiently far from the side of the camera body that the SDi and HDMI connectors are still easily accessible but not so far out that it gets in the way with the handgrip. 

side-plate_1.9.1 Bright Tangerine Rigging Options for the FX6
Bright Tangerine side cheese plate for the FX6

 

Viewfinder attachment and bracket.

Bright Tangerine make a very nice viewfinder bracket that replaces the Sony one as well as a support system for the LCD screen that eliminates the sagging issues that typically occurs if you want to add a loupe or magnifier to the LCD screen. The LCD bracket uses a clever folding nato rail design that makes it easy to move the mounting point forwards and backwards as well as up and down. 

AXl-forward_2.7.1 Bright Tangerine Rigging Options for the FX6
Bright Tangerine AXL Viewfinder bracket for the FX6
AXL-back_2.8.1 Bright Tangerine Rigging Options for the FX6
AXL viewfinder bracket showing how it folds making it highly adjustable.

As well as attaching to the Sony handle the mount has an extra support piece that goes down to the Bright Tangerine top cheese plate. This extra support piece not on helps to support the LCD bracket but it also helps to stabilise the Sony handle.

support-bracket_2.4.1 Bright Tangerine Rigging Options for the FX6
An additional support bracket goes between the AXL and the Bright Tangerine top cheese plate.

 

Viewfinder support System.

The viewfinder support system includes a frame that the LCD attaches to that has a fluid damped tilt mechanism. An easy to grip orange knob is used to adjust the tilt tension of the viewfinder.

VF-bracket2_2.13.1 Bright Tangerine Rigging Options for the FX6
The Bright Tangerine support system for the FX6 LCD.

 

When supported by this bracket it is very easy to use an additional viewfinder magnifier or loupe. One of the nice features of the Bright Tangerine FX6 viewfinder support is that it still allows the LCD to be folded flat against the side of the camera when it is not in use.

Left Field Base Plate.

Moving to the bottom of the camera and we have the Bright Tangerine Left Field base plate system. This is quite different to most other base plates. It doesn’t use a VCT plate and as a result it doesn’t suffer from the almost inevitable slight play and wobble that comes with most VCT based systems (perhaps the only exception to this is the Chrosziel QuickLok plate). Instead of using a VCT plate it mates with a standard sized Arri dovetail plate or with Bright Tangerines own light weight dovetail plates.

leftfield1_1.1.1 Bright Tangerine Rigging Options for the FX6
Bright Tangerine Left Field Base Plate

The Left Field has a very secure clamping system that uses a single lever to clamp and release the plate from the dovetail quickly and easily. When releasing  there is an initial lock catch that is released to open the latch and at that point the base can be slid along a normal dovetail plate but won’t lift off or fall off it. To fully release there is a second push button at the base of the release lever that allows the clamp to be completely released and then the camera just lifts off the dovetail.

leftfield2_2.9.1 Bright Tangerine Rigging Options for the FX6
Left Field release catch.

 

Once you have used it a couple of times you can release the camera in one single motion by pressing the release button as you open the catch. But it can’t accidentally come undone.  To attach the camera to a dovetail you simply slot it on to the far side of the dovetail, and then close the catch, it’s very quick and very easy. The Left Field system creates a very low profile, very stable mounting platform for you camera. Being low profile, when using a tripod it keeps the cameras center of gravity lower allowing you to use less counterbalance and keeps the lens closer to the tilt pivot point.

If you want to add a shoulder pad, one of Bright Tangerines very clever Kasbah pads can be attached to the back of the plate via a quick release bracket. The Kasbah pad is constructed out of a special material that allows the internal structure to be varied to allow for differing levels of firmness across the pad. This makes it very comfortable while offering very stable shoulder support.

kasbah_3.12.1 Bright Tangerine Rigging Options for the FX6

BUT  when the Kasbah pad is mounted to the rear of the very low profile Left Field it won’t then go on to a normal dovetail as the pad gets in the way. So, you have 2 options. One is to only mount the shoulder pad under the Left Field as and when you need it. The top of the Kasbah pad has a small Arri dovetail so it is very quick to attach to the Left Field. The other option is to use a small riser that raises the Left Field and shoulder pad clear of the dovetail.

Screenshot-2022-12-20-at-13.49.13 Bright Tangerine Rigging Options for the FX6
Left Field base plate with Kasbah shoulder pad and riser on a full size Arri style dovetail.



One of the great things about the Left Field system is that should you ever change camera all you need to replace is a small mounting adapter that inserts into the top of the Left Field base plate. These means the same Left Field can be used with many cameras, protecting your investment.

left-field-insert_1.14.1 Bright Tangerine Rigging Options for the FX6
A replaceable insert allows the Left Field to be used with a wide range of different cameras.



I really like the bright Tangerine products. They are a little bit different, quirky perhaps. But it’s only by thinking outside of the box that we get new products that really do work. So, if you are looking for a cheese plate, base plate or LCD support system for your FX6 do at least take a looks at their offerings.

 

Firmware Update For The FX6 (V1.01). Fixes CineEI Playback ISO levels

FX6-Firmware-500x500 Firmware Update For The FX6 (V1.01). Fixes CineEI Playback ISO levelsSony have released a minor but important firmware update for the ILME-FX6 camcorder. This update fixes the back-to-front EI values that are used during clip playback in the CineEI  mode.

There are a couple of different ways to do the update. The update can be applied to the camera either by placing an update file on an SDXC card or CFExpress Type A card and updating via the camera. Or by downloading updater software for a Mac or PC and connecting the camera to the computer via USB and using the computer to update the camera. If you are a Mac user I have found this method to sometimes be challenging to make work, but easy with a Windows PC.

My preference is to download the SD/CFExpress update file and to put the update file on an SD card and update via the camera as this method has always proven to be easy and reliable for me in the past.

The firmware can be downloaded from here: https://www.sony.com/electronics/support/interchangeable-lens-camcorders-ilme-series/ilme-fx6v/downloads

ProResRaw Update For Shogun 7 and FX6

132778118_3883714468314721_5996857821174714787_o-600x400 ProResRaw Update For Shogun 7 and FX6Atomos have release a firmware update for the Shogun 7 to correctly implement raw recording from the FX6 at up to 60fps.

AtomOS 10.43 is a free update for the Shogun 7 that enables up to DCI 4Kp60 full-frame ProRes RAW recording from Sony’s FX6 camera!
 
Now available: Apple ProRes RAW recording support for Sony’s new FX6 professional camera with full-frame image sensor; which natively outputs RAW over SDI. This is all made possible with the Atomos Shogun 7 AtomOS 10.43 update which now allows users to record pristine ProRes RAW images at up to DCI 4Kp60. The resulting images have amazing detail and a high degree of latitude to utilize in post-production – optimal for HDR finishing or to give greater flexibility in SDR (Rec.709).
 
If you are a Shogun 7 user you can update your firmware here: https://bit.ly/2VTDUCz
For more information on this powerful combination head to: https://bit.ly/38u2QGX

What’s the difference between Full Format and Quick Format in the FX6?

The Sony FX6 offers two different ways to format the the SD cards and CFExpress cards. These are Quick Format and Full Format. 

What’s the difference and which should I use?

Full Format erases everything on the card and returns the card to a completely empty state. All footage is removed/deleted from the card and it cannot therefore be recovered later should you perform a Full Format by mistake. Because Full Format returns the card to a completely empty state removing any junk or other clutter it also ensures that the cards performance is maximised. Full Format should be used whenever possible as it ensures maximum performance. However once a card has been Fully Formatted you cannot ever recover lost files from it.

Quick Format erases the cards database about what files are on the card. Quick Format is faster than Full Format, but it does not actually remove your video files. When you then start a new recording on the card the new recording will use any empty space on the card if there is any. If there is no empty space then the new file will overwrite any existing files on the card. This does mean that in some cases if you have accidentally done a quick format you may be able to use data recovery software to rescue any files that have not already been overwritten.  But file recovery is not guaranteed and should not be relied upon. As quick format does not clear all data from the card, over time the performance of the card may be degraded, so a Full Format should be performed periodically to ensure the best card performance.

It’s also worth noting that if you want to load LUT’s into the FX6, the card should be formatted in Slot B so that the correct file structure including the LUT folder is added to the card. Once any LUT’s are placed in the LUT folder the card must be placed back in slot B to so you can load the LUTs into the camera. You cannot load LUTs via slot A.

For more FX6 posts and information click here: https://www.xdcam-user.com/camera-setup/ilme-fx6-sony-fx6/